Na Wired:

Pumzi, Kenya’s first science fiction film, imagines a dystopian future 35 years after water wars have torn the world apart. East African survivors of the ecological devastation remain locked away in contained communities, but a young woman in possession of a germinating seed struggles against the governing council to bring the plant to Earth’s ruined surface.

(…)

Like recent standouts District 9 and Sleep Dealer, the short film taps into Third World realities and spins them forward for dramatic effect. But to produce Pumzi, Kahiu looked to the past, as well as the future.” [grifo meu]

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Isso me lembra desse artigo sobre a necessidade da ficção científica:

We live in a world that is incredibly frightening for a growing portion of the population because of the exponential rate of change and development we are experiencing. (…). Our world is changing so fast now that we often don’t have time to contemplate the full ramification that come with the increasingly rapid adoption of new technologies and social changes. Most often this is simply because these changes are being introduced almost one after another after another without any time to breath. Speculative fiction however, if widely adopted makes it almost instinctive that we think about these situations and possible outcomes before they even arise. It puts our brains into a future simulator of sorts where we are running through countless of possible outcomes for our society every week, culminating to subconscious database of sorts of ‘what if’ scenarios that we carry around with us. Without this database in our heads we blindly charge forward through the jungle of our progress without any regard of potential cliffs that lay ahead until it is too late.

Isso me faz pensar sobre as razões pelas quais o Brasil não produz ficção científica de nenhuma espécie, nem no audiovisual, nem na literatura.  Será que é porque abdicamos de pensar o futuro?  Talvez.

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